This week in our Camp Focuses series, we’re taking a close look at one of our all-time most popular summer camps: Drawing Camp.
If you have questions about one of our other camps, you can find so many helpful answers on our earlier blogs on Painting Camp, Sculpture Camp, and Mixed Media Camp. (and stay tuned for our next blog coming soon: Pottery Camp!)
But now back to Drawing Camp. We have a couple guesses on why this camp is one of our most popular:
But there is SO MUCH MORE than just “learning to draw cool things” going on, so let’s dive a little deeper into what exactly your child will really be learning at our Drawing Camps this summer, so you truly can know what to expect.
But let’s break each of them down a bit.
Perspective is the way of representing drawn items on a 2-D plane (like a piece of paper) how they appear to the eye in real life. For instance, how telephone poles get smaller to our eyes the farther away they are – that’s perspective.
Perspective is an obvious element in landscape drawings (you’ve probably done one before with a road or railroad tracks, making them disappear in a small point on the horizon), but is still applicable to any other object you hope to make look realistic from humans to animals to flowers in vases.
With any new object we draw, campers get a chance to practice perspective that may challenge them in a new way each time, since they will never be drawing or re-creating an exact work they’ve done before. Even though it’s the same technique, it’s a skill that always needs refining with each new object.
One of the most important techniques we work with our campers on is observational drawing. Observational drawing is when an artist observes the world around them, and then translates their findings onto a two-dimensional surface (such as a sheet of paper).
To do this, artists measure the size and shape of their subject matter, break each object down into basic geometric shapes, and use proportions to accurately draw their subject.
In many instances, our campers find that using measuring, and breaking down their subject, makes their final project look more realistic.
Our campers also learn how to use their observational drawing skills and to apply them to a more stylized drawing project, as opposed to a realistic one. One of our most popular drawing projects from last year’s camps was our inked animal project.
For this project, campers learned how to break down an animal’s form into simple geometric shapes and use those shapes to carefully draw the animal’s form on their paper.
Campers then check proportions, adjust their shapes, and finally add details to their animals. They took their drawings a step further by inking them with pens, and even adding hatching and cross-hatching in some areas.
For our fun final step, students had the chance to experiment with loose ink, and added color to their animals with a variety of inking techniques, from using a brush to adding some splatters.
Do you have any other questions about what goes on or what your child will be learning in our Drawing Camps? Send us an email at MuseoArtAcademy@live.com or give us a call at 425-391-0244, we'd love to hear from you and we'd love to fill you in on any other details. In the meantime, check out all of our summer art camps and save your child's spot before they're full.
We’re back for another round of our Camp Focuses and this week we’re introducing you to our popular Painting Camps.
Parents always want to know more about what their child will be learning and doing in our summer camps, so we’ve been spilling all the beans here on our blog (check out our previous Camp Focus installments, “What is Mixed Media Camp?” and “What is Sculpture Camp?”).
In our Painting Camps, campers explore all things painting. Each day, campers get a chance to work with a different painting medium (aka different types of paint) ranging from acrylic, watercolor, gouache, or even combining two painting mediums for a more mixed media feel.
The main focus in painting camp is all about proper painting techniques and application. Each unique painting medium provides brand new skills and techniques for campers to learn and practice, as, of course, you paint differently with watercolors than you do with acrylics. It’s almost a whole new world to explore with each medium.
During camp, we discuss super basic fundamentals such as the proper way to hold a brush, how to create the most effective brush strokes with each medium, the correct way to mix each type of paint, and believe it or not, even the right way to clean a brush (because your tools last longer and allow you to paint better if you take care of them!).
Developing these essential fundamentals gives students a solid foundation to explore more in-depth concepts that are so critical to painting, such as color theory and tinting and shading.
Color theory (which is explained in this short video of ours) is an artist’s guide to first creating and then successfully utilizing color.
Often when painting, an artist might want a specific color that they don’t have already mixed on hand. Let’s say a yellow-orange. To do this, an artist must use their color theory knowledge to know that when mixing a yellow orange, one needs a higher ratio of yellow paint to the red paint that will be mixed in.
Beyond color mixing, color theory can be applied to using specific colors within a composition.
In painting, and any other time an artist uses color, we must consider how all the other colors works together to create a composition, so we discuss color theory often with our Painting campers.
Opposite colors, or complementary colors, can be used to make a specific area or detail of a composition more pronounced, such as when you see the bright yellow of van Gogh’s Café Terrace against the background of the dark blue night.
Analogous colors (or colors close together on the color wheel) all blend together creating a unified composition, such as the purples, blues, and greens in van Gogh’s Irises in a Vase.
Tints and Shades:
We also discuss with our campers tints (colors mixed with white to make them lighter) and shades (colors mixed with black to make them darker). Last year in our Painting Camps, to practice this our knowledge of tints and shades, we created monochromatic paintings using just one color, such as purple, and then only adding white and black to the purple to create a monochromatic composition.
One of our most popular projects last year was a van Gogh-inspired landscape. Students began with a simple landscape drawing featuring foreground, middle ground, and background. Next students began painting a simple base layer for each object in their drawing working back front. Once their base layer was created, students had the chance to run wild with different brushstrokes, replicating similar styles found in van Gogh’s Starry Night, and Wheatfield’s with Cyprus.
We love seeing how our Painting campers learn and grow and apply their new skills and knowledge throughout the week. You can still sign your child up for one of these popular camps here. We can't wait to see what they'll be creating this year!
Sharing our love of art education, one post at a time.